Now onto the shimmer effect itself, which comprises a chain of plug-ins inserted into an aux channel fed from a pre-fade bus send. Adding reverb to the otherwise dry sound isn't essential but I find it works quite well, especially if you end up panning the track signal slightly to one side and the shimmer chain slightly to the other. SilverVerb also includes a modulation section, and the default settings are pretty much optimal. Because we are in the realms of ambient music, you can allow yourself to apply reverb generously as long as you use the low-cut slider to stop the bottom end getting too messy. In my setup I've followed the Enveloper with an instance of Logic's SilverVerb, just to add a sense of space to the un-shimmered sound. Alternatively you could record through a Boss Slow Gear pedal or equivalent, but you might not want a slow attack all - it's not a mandatory part of the effect. You can dial in a slightly faster attack time if you want, but 200ms is the slowest, or longest, you can get out of this plug-in. As for the other parameters, I've set both Time controls to maximum and the left-hand Gain fader to -100 percent. The Threshold setting will depend on your recording level, so do take the time to adjust it until the envelope triggers reliably on each note. Admittedly it is not the most sophisticated processor, but if you play single notes and set the threshold correctly, you can get each note to fade in smoothly. Screen 1: Channel insert effects (both are optional).I rather like the bowed effect created by fading in the start of the dry note, and as you can see from Screen 1 (shown above), I've used Logic's Enveloper plug-in to achieve this. The wet part comes mainly from plug-ins inserted into an aux track fed from a pre-fader bus send, but in ambient music even the dry sounds benefits from a bit of wet! The bus level control then becomes your overall shimmer reverb wet/dry control. I'll start with the track inserts I use to treat what would otherwise be the dry sound. Alternatively, just play the part using a normal insert reverb and then switch on the clever stuff when you're done. One way round this is to use an interface with input monitoring so you can hear the dry guitar with no delay, and just ignore any latency that affects the reverb tail. But, for every up side there's a down side too, and if your system obliges you to engage Logic's low-latency mode to allow you to play comfortably, then you may not be able to create this effect in real time, as some of the plug-ins and buses will turn orange and go into hibernation until you disengage low-latency mode again. If you've ever used a pedal to add a long shimmer reverb you'll know that any subsequent editing can be quite tricky, and that you may sometimes have to add additional reverb to 'hide the joins'. The up side of creating the effect entirely in the plug-in domain is that there's no risk of disturbing the reverb tail when you come to edit what you have recorded. If this is something that you think you might use a lot, you should also add it to your default song template.Īudio titled Project Shimmer Dry Then Shimmer by Sound On Sound The better shimmer pedals may also add in some filtered delay with lots of feedback, EQ and even compression, so setting up a dedicated effects chain that you can save as a user preset is the way to go. However, getting it to sound as smooth as the output from a high-end pedal requires more than just sticking a pitch‑shifter after your reverb plug-in. Shimmer reverb is, at its simplest, a reverb tail that has been shifted up by an octave, although other intervals can also be useful on occasions, and sometimes the octave reverb is mixed with normal reverb. There are several popular guitar pedals that can create a shimmer reverb effect, but what exactly is it - and can you get the same kind of effect using Logic's own plug-ins? The answer to the second of these questions is certainly 'yes': you can create a very usable shimmer effect in Logic Pro X using the stock plug-ins, and you can even take it one stage further and combine it with a slow‑attack dry sound to give more of a bowed‑string effect if you wish. For anyone who has the occasional dabble in ambient music, however, having access to one is pretty much essential, especially if you are a guitar player. If you are mainly into mainstream pop or classic rock, it is possible that the term 'shimmer reverb' may not even have crossed your radar. Create glassy, ambient 'shimmer' reverbs in Logic Pro X.
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